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The Russian star plays the title role of Anton Chekhov’s iconic play, which runs June 14–17 at New York City Center.
With more than 30 years of experience in theater and film, Russian...
Originally commissioned as a comedy, Anton Chekhov’s first produced full-length play, the four-act Ivanov, was quickly revised and turned into something significantly more serious after its initial...
Modern dress Chekhov presented by Russia’s Theatre of Nations proves to be a revelation as to how classics are updated in Moscow.
The chance to see Anton Chekhov’s first produced ...
Moscow’s Theatre of Nations arrived in New York to present a stunning contemporary rendition of Anton Chekhov’s tragic drama, Ivanov.
Finding the character of Nikolai Ivanov, Theatre of Nations Artistic...
Last night, I had the great privilege of catching the first of four performances of The Theatre of Nations’ Shukshin’s Stories at New York City Center. I first encountered this Moscow-based...
I think that I have never seen a Miss Julie quite like Chulpan Khamatova’s. It’s not just that Thomas Ostermeier, the director, and Mikhail Durnenkov, the adapter, have updated and transposed...
Here's a rule of thumb about European directors: they tend to approach classic plays far more forcefully than their American and English counterparts. A fair example would be the Russian-language ...
Let’s cut to the chase: Do not, under any circumstances, see the Lincoln Center Festival’s Miss Julie (through Sunday). Many bad things happen in this production—pointless video, ...
New York City Center, New York
Thomas Ostermeier’s present-day production works against the text, which is exciting in the first half but makes the tragedy unmotivated and unlikely
Rich girl sleeps with her chauffeur. It ends badly.
When done well, “Miss Julie” is a harrowing look at the class war. And when it’s done really well — as it is at the Lincoln...
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Let’s cut to the chase: Do not, under any circumstances, see the Lincoln Center Festival’s Miss Julie (through Sunday). Many bad things happen in this production—pointless video, ...
New York City Center, New York
Thomas Ostermeier’s present-day production works against the text, which is exciting in the first half but makes the tragedy unmotivated and unlikely
Rich girl sleeps with her chauffeur. It ends badly.
When done well, “Miss Julie” is a harrowing look at the class war. And when it’s done really well — as it is at the Lincoln...
Our global age of income inequality certainly cannot be guaranteed to add a jolt of relevance to any classic play, but it definitely serves as an illuminating backdrop to Thomas Ostermeier’s ...